Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

A Year of Pretty - December 28, 2014

We are almost at the end of another year. Which means I am almost at the end of my A Year of Pretty for 2014. I think after 2014 is through, I am going to go back to posting under some of the headings I have used in the past - "Delicate and Pretty", "A Little Bit of Lovely", "Shoes and More Shoes".

While it has been fun to bring a daily dose of something pretty, it has also been a bit of a time grabber. Not so much in the actual posting each day, but in the researching and finding background information, chasing broken links down a dark rabbit hole to try and credit original sources; and of course.....hours spent scrolling through Pinterest and other such sites.

(For those that want to admire a whole bunch of Pretty at one time, I invite you to a collection called "oh. .  pretty!" that I have curated, both for your enjoyment and my inspiration).

There has not been any snow so far this December in Vancouver. Well, up on the mountains, yes. But not in the city itself. So for today's Pretty Post I thought I would bring the snow to you by way of this STUNNINGLY GORGEOUS suit ensemble from the Chanel Haute Couture Fall/Winter 2014 / 2015 collection. I have watched (a number of times) the videos on how these pieces are hand crafted and painstakingly put together. Utterly amazing.

It would take me years...YEARS ! to complete a garment such as this. So I can understand the astronomical price tag that this jacket and pants would go for. If I had to hazard a guess, I would put this at being no less than $35,000.00. Yes, thirty five thousand dollars.

Okay, so back to the garment itself. The detailing is smart. The play between the expanse of white in the jacket and the cording effect of the beading is beautiful. The beading not only acts as a decorative detail, but serves to contour the lines of the body. Essentially, it is a tuxedo jacket with a mandarin collar that morphs into a long tunic. I'm noticing now that in one of the pictures (above), it is worn with leggings, in another (right) the model's leg is visible. In a show, these two looks would be presented one after the other. Which means the jacket combo was made twice?


No, but wait! It's a tuxedo jacket with biker shorts! Now that I have watched the video of the fashion show again, the model is clearly wearing a tuxedo-jacket-cum-tunic over a pair of long biker shorts. Only Chanel could make biker shorts this glamourous. Here is a screen shot from the youtube video (left).

But my train has left the tracks. Back to this Winter Wonderland look. The beading reminds me of Christmas tinsel and holly berries, with all the twiggy bits poking up out of the snow.

So while beaded biker shorts may not be your kind of thing (and honestly, for me I would do without them and wear plain leggings, either in the same warm winter white or in red to match the red "berries" with a cable knit pattern and red patent leather stilettos), this tunic would definitely be a show stopper at any company Christmas party or New Year's Eve gathering. But heaven forbid Carl the Clumsy from Accounting doesn't bump into you with his glass of red wine, or your Uncle Leon drop his plate of Swedish meatballs on your lap as he leans over to kiss you hello.

If you are interested in watching the whole production, the youtube video is here:




A Year of Pretty - October 07, 2014

In keeping with the warm fall colour theme, I found this photo of this beautiful red hat. I love hats. I have a number of them. And this one I really like. It's also a stunning photo. Of which I have no original source. Except our friends at Pinterest.

Paris - Day Four

Day Four in Paris.

Today I had to be up relatively early (for vacation anyhow) I had an important visit to a VERY big name fashion house today. Can't say who, can't name any names. Couldn't take any pictures. But let's just say it gave me A NEW LOOK to fashion. And you're pretty smart cookies to figure this out anyhow.

Avenue Montaigne is such an unassuming street. There are no big flashy signs to advertise what's going on inside all the orderly apartment blocks. To discover this, you need to look up. Because it is here, in these pretty but relatively unmarked buildings that the haute couture of haute couture is being assembled. All the big French fashion houses are here, but you pretty much need to look to find them. Sure, there is also a store on the street level, but it is often not directly under the design studios. Case in point is House of Dior. The beautiful showroom store is located about 10 doors up the street from the actual Dior Accademy. And the doors to the Accademy are very plain, no signage, no big fan fair. And then to make matters a bit more confusing, the signs that are visible are for the showroom for Louis Vuitton. It's when you look up that you see where the magic happens.

You can just make out the little Dior banners on each of the windows, and the bigger, more prominent Louis Vuitton in the main floor windows.

If you are even remotely interested in seeing what goes on inside a top fashion house, well I'm sorry to say that I can't provide you with any pictures from my visit. Everything is ultra-uber secure. Lots of men in dark suits and earpieces and talking into their cuff links. But there is an amazing video for the costruction from beginning to end of Dior's iconic red coat dress from Spring/Summer 2011, part of John Galliano's last collection with Dior.

I can't tell you how many times I have watched this video. The process, the cutting, the hand stitching, the pressing, the trimming, the beading....the amount of hours going into producing one single garment. And keep in mind, there are usually 30 to 40 looks in any given haute couture show.

It was indeed an eye-opener and a full day of learning. Thoroughly impressed and completely re-thinking (well, almost) how I want to design from the inside out, it was time to move on. This of course meant more walking around.

From Avenue Montaigne I kind of did a big loop. I walked down the Avenue des Champs Élysées towards the Jardin des Tuileries, then through the gardens and around the fountains to the Place de Carrousel and sat and watched a man with six frisbees and a dozen dogs. This was actually quite entertaining. Dogs of all sizes vying for six frisbees which were constantly being thrown and retrieved. Turns out people pay him to exercise their dogs. Kinda like boot camp for dogs. Dogs get dropped off in the morning, they spend the day doing whatever dogs do at a doggie daycare, and then towards late afternoon, this guy takes them all to the park where they chase frisbees until their owners come to collect them.

After the dogs, I walked over to Pont des Arts. This is the famed bridge where lovers go and proclaim their ever lasting love by attaching a padlock to the bridge. There are actually two bridges in Paris with locks on them, so you have to be careful which bridge you attach your lock.


Pont des Arts is for committed love, while Pont de l'Archevêché is for your lover. Don't get the two mixed up ! Sad news is that Paris will soon remove the locks from Pont des Arts and replace the railings with glazed panels. The weight of all the padlocks has been deemed unsafe for the structure of the bridge.

From there I walked along the Siene to a place called Flow. It is essentially a concrete beach. Beach chairs are set up along the Siene, and you go up to the counter and order your wine or champagne or beer or whatever, along with some pâté, bread and olives and then take it back to your little "beach spot" and have a little feast. It actually made a lot of sense, looked pretty cool and was very popular. I had seen this place just in passing the past couple days, and it is busy from about 3pm regardless which day of the week. Across from Flow is a barge / boat that has been converted into a happy hour hang out. Rosa Bonheur sur Siene, which I guess COULD be translated to Pink Happy Hour on the Siene; and that would make sense. However, Rosa Bonheur was the first well-known female animal-painter (or animalière), realist artist and sculpture of the 19th century.

What was interesting to note was that there wasn't a huge display of cell phones or other distractions. People were there to converse with each other. I saw a group of five or six young dads; all with baby strollers, and a collection of Heinekens on the bench between them. And this seemed somehow normal. Wife says "take Junior for a walk"; husband calls up buddies and says, "Lets meet down by the river". There is no meeting up in sports bars over loud music.

I continued my walking over to Pont Alexandre III, then through narrow side streets where I found a little French bakery (boulangerie). Bought a couple pastries, then walked over to the Eiffel Tower to watch the sun set. I wasn't planning on going up the tower; for €30 it just doesn't seem worth it. Not to mention that the line-up to go up the tower was exceedingly long. Always is. Estimated wait time today was three hours. No thank-you. Instead, I took my pastries over to a little space of lawn across the bridge and enjoyed a nice view and sun set.

Dinner was at Chez Francis. Here's the one thing I don't like about travelling on my own, and I have found to be especially true in Paris. Servers in Europe do not like solo diners. They somehow believe that a single diner is going to be cheap. But from what I understand, servers in Europe are paid a decent hourly wage from the gratuities already included in the bill. And here's the funny thing about me when I eat out: I ain't cheap. I usually have three courses and at least one glass of wine; sometimes a bottle which I take the remainder with me. I average between €75 and €100 if I am having a proper sit-down meal. So while the food was mediocre (steak lacked flavour, not enough bernaise), the service really killed the experience. I was brought water I didn't want and then charged €7 for it. Bread and the first course where put on the table without any comment from the waiter. My main course was put down in front of me with no cutlery. My wine was delivered with the waiter holding the top rim of the glass instead of the stem. The dessert was missing components. Essentially, I was made to feel like I was bothering the waiter by being there, that serving me was a hassle. This feeling was compounded by the table next to me who I gathered were regulars. They were fawned over. They were bought complimentary this and complimentary that; there were long discussions with the wait staff and the manager about this and that (remember, I speak both English and French, so I understood what was going on). It became rather awkward.

When my bill arrived, I was asked if everything was okay. I said no it wasn't and explained why (the water I didn't ask for, the dessert being incomplete). The waiter then says "So everything is good?". No, I just told you it wasn't. "But it's okay, oui?". Sigh, shake my head and leave. French service my buttocks!

The restaurant does have a great view of the Eiffel Tower, and is close to another Paris landmark - The Crazy Horse. What a great show. The show was more about lighting and shadows and optical illusions. You think you're seeing one thing but it's the reflection of something else. It was really, really well done. Sure, there was nudity, but it wasn't so in-your-face like a lot of North American cabaret shows tend to be. The cabaret has been open since 1961, and has hosted famous performers such as Dita Von Teese, Arielle Dombasle and Pamela Anderson.

After the champagne show, I walked back up to the Arc de Triomphe. This time my pictures turned out okay. After watching the twelve lanes of traffic miraculously merge in and out around the monument, it was time to head home. Big long day, and another one on the way tomorrow.


Paris - Day Two

Today is my first full day in Paris for this trip. Not a whole lot on the agenda today, except to go see the Sacré Coeur (Sacred Heart) Basilica.


La Basilique du Sacré Coeur de Montmartre is a Roman Catholic church that sits at the height of an isolated hill and is the highest point in the city of Paris. The now-popular landmark was designed by Paul Abadie in 1870 and construction began in 1875. After Abadie's death in 1884, a team of five architects continued his design and the final stones were placed in 1914. Which the impending war, the minor basilica was consecrated at the end of World War I in 1919; by which time the public acceptance of the church shifted from a political and religious one (in 1873 the Archbishop of Paris, by approving its construction specified it was to "expiate the crimes of the Commune"), to more of a monument of dedication to honour the 58,000 men and women who lost their lives during the war.

Sacré Coeur is built out of travertine stone. The stone exudes calcite, which keeps the monument looking white even through weathering and pollution.

There is a funicular that you can take from the metro station up the hill to the top, but I decided to just walk it. Many, many steps. 270 steps. But the views are fantastic. You can also take MORE steps up to the top of the dome, but it will cost you 8. I was okay with skipping the extra hike and decided to instead wander around the basilica and then through the narrow streets of Montmartre.

Montmartre is famous for its many artists' studios and craft boutiques. There are a number of side walk cafés and street artists; but beware - the streets are very narrow and the cars passing by do not tend to slow down. Several famous artists have worked in or around Montmartre because of low rent (at the time) and a combined artistic atmosphere; including Salvador Dali, Claude Monet, Pablo Picasso, Camille Pissarro and Vincent van Gogh. There is a Salvador Dali museum (Espace Dali) which unfortunately was closed during my visit. I guess it just leaves something for me to visit on my next trip.

Because of its elevation, Montmartre has a series of steep stairs with wrought iron railings and lamp posts. You may recognize the scenery from popular movies such as An American in Paris, Amélie, Moulin Rouge, and La Vie en Rose.

It's interesting how sometimes in our rush to get to the main attraction, we overlook or even miss great scenes and fantastic reminders of everyday life and the incredible opportunities we have. An example of this is the old carousel at the bottom of the stairs before heading up to the monument. Many pass it by without even a second glance. But it was fun to sit and watch the old horses turn round and round, and how delighted the little girls were to ride the pink ponies and the boys to climb up high on those black stallions. It also gave me a breather after climbing up and down all those stairs. You may remember this carousel from the movie Amélie, as mentioned above. In the movie, this is the scene where she returns the scrapbook to Nino.
I found out that carousels were created as a result of tragedy. King Henry II was killed in a jousting accident, and so safer practices for tournaments were created. Thus, a "carrousel" refers to a type of military dressage. Originally, there were a series of metal rings that the knight must spear with his lance. Overtime, this evolved into a turning platform, and the rings were placed at varying intervals to increase difficulty. The knight would hook the rings onto his lance as he came around, and the rings were replaced by a servant so that they would be in position for the next time. The speed of the turning platform could then be altered in speed until the knight was no longer able to capture all the rings. For the birth of the Dauphin in 1662, Louis the XVI held a carousel festival with true fanfare. Over 15,000 guests came to watch knights participate in the tournaments. But it must have been some party, because even today, the location is known as Place du Carrousel.

After wandering the streets below Montmartre for a bit and picking up a few trinkets to bring back home, it was time head home to get ready for my sunset dinner cruise on the Seine.






A Year of Pretty - February 26, 2014

Today is the last day of preparation for the Great Gatsby Inspired Fashion Show I'm participating in tomorrow night. Most of the work is done, but there are a couple things that still need attention before everything gets packed up at moved to the venue. Minor things like stitching in company labels and pressing, plus matching the shoes and accessories for each look. I will be dressing my model myself, so at least I will have control over the look and can give it a once over before it heads out on the runway.

Last week, I was able to get in a photo shoot with a few of the pieces that will be going down the runway. We spent most of the day at the shoot, and my model Jen Ryley was fantastic (and oh-so-patient). Jenny Ruth of JennyV Make Up and Hair styled the model for the shoot. I think she did a beautiful job. 

Photography was done by Wesley Allen Shaw in his own studio.

I was super lucky that the garments fit Jen perfectly. Which means no size adjustments to the garments for tomorrow night. So happy about this. It also means Jen, who is modelling for me in the show, will already be familiar with each of the looks.

It was a fun shoot, and I've included not only some serious shots of the garments, but some goofy ones as well when Jen was in between takes.

So Today's Pretty Post is about my own label de volk & gosche. First, a little history:

My maternal grandmother's (my Oma) maiden name is Volk. My paternal grandmother's maiden name was gosche. "Volk" means "people", "Gosche" means "cheeky, or left of center". So the two names together become "For People Cheeky or Left of Center". It also sounds sophisticated and European.....like Dolce and Gabbana. 

The fabrics I've used here are silks and yoryu satin, which are produced by Telio. I also bought some great trims online through Etsy. Check out PrettyLaceShop for their great selection of trims and lace details.

The looks all came together relatively easy. Okay, okay . . there were some frustrations when trying to get my ideas from paper to fabric; but in the end I am extremely please with the results and can't wait to see them on the runway.

Anyway, I hope you like them as well.
 

A Year of Pretty - February 16, 2014

I've been holding on to this picture for a while now. I don't know it's original source but to say it came from Pinterest. Ah, Pinterest.

My hair is this long, and has the same wave to it; looks to be about the same texture too. But it's not this red. I mean, it's definitely got red (my mom was a red head, my dad was dark brown), but not this red. But I could very well do this look because like the gal in the photo, I too have pale skin. And I have green eyes.

What I don't have is bangs. Not sure about having bangs. Probably because mine would just go all curly in the wrong direction. I know this because I had bangs when I was little; and then again through high school. And every morning my bangs and I would have this struggle. And I would never win.

So yeh, no bangs for me.

The colour though? Yes, I could do this colour.

A Year of Pretty - February 06, 2014


Today's Pretty Post is from the March 19, 2012 cover of Ruche. Check out the entire article and many other beautiful photos by clicking on the picture above. The whole collection of images are Great Gatsby inspired, which is just what I'm after for the upcoming show.

Have you Missed me ?

I have been away, I mean, I haven't gone anywhere physically, but I've been away from here. From this blog. It seems like just a couple weeks, but in truth it's been months.

Life ran away with me. Or rather, I ran away with life. Together we eloped into a frenzy of office work, fashion sketching, pattern drafting, muslin making garment construction and (horror of horrors) . . . restaurant work. A second full time job.

Yes, despite my previous thoughts of not returning to work in a restaurant, the $13,000.00 for a new roof and balcony had other ideas. So back to prostituting my soul table side for $$ I go ! Okay . . . I'll admit I do love the industry, but no the long hours and the effect it has on my sleeping pattern, my eating pattern, my aching back-knees-calves-and-feet pattern. Essentially . . . my life pattern.

And silly me, I did this heading into the last term of my graduate program. Yes, I am crazy. Or a glutton for punishment. Or destined for design disaster. Time to tell. Time that I don't have . . . for things like this blog.

Because if you're paying attention, I now work 40 hours in the office, 35 hours at the restaurant and 12 hours at school, plus about 10 hours of homework. That's 97 hours per week. Yeh, I'm gonna have to go with "crazy" on this one.

So I think the next little while will be about posting inspirations and ideas and less about writing and actual "blog" blogging.

A blog without any real "blogging". Or blog writing.

You get the picture. Or you will, because there will be a lack of blogging.
Just pictures.
Which you will get.

Beautiful Flocked Ivy Silk Art Fabric by FabricMart

Design Inspiration - part 5

It's here. My last term of school. My final project. My five looks that will walk down a runway and represent me. Daunting; capital D.

So, in anticipation, I'm going to start sharing a couple images of inspiration for my collection. Most of these are either from Pinterest or Etsy, and along the way they have lost their original links. If you recognize any of these, please let me know the source so I can give credit where it's due.

>>>The shorts/vest/sweater combo to the right is Chanel SS2012....no mistaking those iconic pearl buttons and the soft structured look. (in love with the layering and textures!)<<<

Which brings me to the theme of my collection: Softness in Structure and Architecture as Design. Think of the curves of the Sydney Opera House, or the swoop of the roof of the Richmond Oval (formerly the speed skating track for the Vancouver 2010 Olympics). I'm also evolking memories of travel while honoring classic design. (Whew! all that in five looks.)

I have most of my fabrics selected. All the patterns are made and test toiles put together. Cutting on the "real fabric" begins tomorrow night. Fingers crossed and wish me luck!

In the meantime, enjoy!


Tip of the Hat

The other day I stepped into an elevator. Inside was a gentleman who I suppose was in his early seventies. I say he’s a gentleman because upon my entering the elevator, he promptly removed his hat. And I have to admit that up until that moment, I was having a Bad Monday. Capital B. Capital M.

But when this man removed his hat at my presence, I couldn’t help but smile. I had been acknowledged (presumably as a lady); and it made me lift my chin higher and walk a bit more lightly. And maybe that’s the point.

Why don’t we wear hats anymore? I know men still do (and I’m not talking baseball caps or knitting caps). Think of the ranch hand tipping his Stetson with the anticipated “Ma’am”; or the octogenarians playing chess in the park. But what about us ladies? How many women do you know who routinely wear nice hats? I mean personally know. The Queen doesn’t count.
Remember those funny looking headpieces worn at the wedding of Prince William and Kate Middleton? They are called fascinators for a reason. Love them or hate them, people were  in one way or another …”fascinated” with them. And they needed to be a bit extreme to capture their youth and whimsy. It wouldn’t work for the young princesses to wear the same style of hat that the Queen wears; they would come off looking old and frumpy. Although, the hats that the Queen wears give her a bit of youth and often add a touch of fun to her ensembles.

Sometimes the hat does make the man (or in this case, woman).
I love hats, and have several that I wear. In downtown Vancouver. For no reason. And when you think about it, you’re really wearing the hat for the people around you. I mean, you don’t see it while you’re wearing it. But each time I do wear one, at least one person will stop me and say “oh, what a lovely hat!” Which makes me to smile.

Which is reason enough for me.

Today on Etsy - December 21, 2012

So today on Etsy this adorable chic dress was featured on the home page. Beautifully designed by Vanda Fashion out of Isreal (two sisters, infact).

AND they are having a SALE !

This one ladies...is coming home to me.

Today on Etsy - September 08, 2012

Today's Etsy find is the fine leather craftsmanship of EightSeasons and their beautiful floral leather bags.

Each bag is made by hand and takes 2-3 weeks to complete.

There is also one offered in red, if you are looking for something or dramatic and in a cheerful fall colour.

Gorgeousness !

Today on Etsy - September 01, 2012

So it's the start to a new school year. Well, it will be on Tuesday the 04th, anyhow. To celebrate, I am starting a new feature called "Today on Etsy". Essentially, it will be a short post with something lovely that I have found on Etsy. Some of these items will be coming to live with me, some of them I will just crave and covet from afar.

Some days I will add text and talk about the item and the story behind it. Some days I will just keep quiet and let you enjoy. I welcome your comments. Thumbs Up? or Thumbs Down? AND....if you purchase the item, leave a comment below about the item once you receive it.

And of course, some items will be more popular; which means an item might be sold before you are able to get to it. While this will not be my fault, I do feel your pain.

To start, here is a sweet little hat from happydayvintage.

More Shoes - take 4

Le sigh . . .these are enough to cause major swoonage . . .


. . . .a la Christian Louboutin.

Basil Soda

Oh happy day when I stumble upon a new designer. Well, new to me at least. I swooned for days when first exposed to Elie Saab. I fell in love with Reem Acra within minutes. Now I am head over heels in love with Basil Soda. How did I NOT KNOW about this designer?

I think celebrities should really try to mention where a designer is from when those red carpet hosts ask the all important question, "who are you wearing?" For example, "Vancouver designer Catherine Regehr" or "Basil Soda from Lebanon". Case in point? Katy Perry in Basil Soda as seen here at the 2009 Grammy Awards. I don't know, it may be just me, but I like to know where a designer is from. Point of reference I guess. It also makes their names / brands easier to search, and to find out if the designer has their brand readily available in North America. But I guess they have a lot on their minds. As a designer though; if I'm lending out a pricey gown to be viewed by millions world wide.....I would hope the celebrity would remember to give me a decent "shout out".

AND… it’s interesting that my favourite designers Saab, Acra and Soda along with Zuhair Murad, are all Lebanese designers. I don’t know if it’s something in the water in Lebanon, but I do know that I could lust after these creations for some time to come.

Design Inspiration - part 2

I won't lie . . .every time I see this picture in my "virtual closet", I lose control of the function in the lower half of my jaw. Extreme gorgeousness.There were no details with the original photo, so I can't even credit the designer. But whomever they are . . .so inspired !

Layers upon layers of fabric without creating bulk. And seemlingly light weight and a flutter. Stunning colour, like a summer rose in bloom. Simply stunning. Simply amazing.

This dress would not need much in the way of accessories . . but of course would need the perfect pair of shoes. Might I suggest these by Parisxox . . . .


le sigh . . off to Fashion Design class I go . . .

No Ordinary Neutral

No Ordinary Neutral

just some items I threw together from my closet this morning . . . .No seriously, this is a set I put together in 2 minutes on polyvore. Nothing neutral about these neutrals. Brunch anyone ?


Dorothy Perkins crew neck tee
$45 - dorothyperkins.com

Mexx tailored jacket
€120 - mexx.eu

Donna Karan draped skirt
$830 - stylebop.com

Elie Saab ankle wrap heels
$685 - boutique1.com

Soft leather tote
$2,416 - boutique1.com

Bracelet
nelly.com

Brass jewelry
$33 - whistles.co.uk

Miss Selfridge gold jewelry
$25 - missselfridge.com

Miso ring
£8 - republic.co.uk

Stella mccartney sunglasses
$225 - forwardforward.com